This is the Arri Amira configured as a channel camera but it has a Super 35 sensor and uses cinema lenses.
This broadcast version has almost all utilities available on any 2/3″ sensor broadcast camera: focus/zoom controls, tally (R/V), 2Ch intercom., video return, Genlock, analogical and digital audio, etc.
It’s equipped with a fiber system that enables to use it on studio mode and work up to 300m in its standard version, but also up to 10km on an extended version.
